Lipsmatch · Dialogue Replacement

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Change the line. Keep the shoot.

The edit is locked. The words don’t have to be.

An offer changes. Legal wants different wording. A claim needs updating, a price is out of date, a product gets renamed. Until now that meant a reshoot, a clumsy cutaway, or a voice patch everyone could hear. Lipsmatch puts the new line on the actor’s lips instead.

Working from the approvals you already hold, we recreate their voice and have it speak the corrected script, with the delivery matched to the scene’s energy. Then we re-animate the mouth to the new words, frame-accurate, and hand back a cut-to-cut master. The camera never moves, the performance never changes, and the fix is invisible on screen. Your film stays on air while the old version would have been in a re-edit.

What a changed line can save

The most common asks we see, all of them handled in post, on the footage you already have.

Offers & prices
Refresh the deal, keep the film

Seasonal offers and price points change faster than campaigns. Update the spoken line and the film runs another season

Claims & legal
Say it the approved way

When legal or a regulator asks for different wording, the correction goes on the lips, and the scene stays whole

Renames & rebrands
A new name, said naturally

Product renamed, brand refreshed, line extension launched: the talent says the new name like it was always the script

Versions over time
One shoot, many moments

Launch, sale, festival, clearance: one master carries different lines for different weeks of the plan

A voice that matches
Rights already covered

Their own voice is recreated to speak the new line, performed to the scene, so nothing sounds pasted in, on the approvals you already hold

No visible seams
No jump cuts, no cutaways

The frame, the light and the take stay exactly as shot. Only the mouth follows the new words

How a line gets replaced

Days of post, on the delivery files you already have. You approve before anything airs.

From old line to new, in three steps

01

Send the master and the new line

The aired film plus the corrected script. We help with wording length so the new line sits naturally in the scene.

02

The new line, in their own voice

Working from the approvals you already hold, we recreate their voice and have it speak the new script. The delivery is matched to the scene’s energy, so the line lands like it was always part of the take.

03

The mouth follows, you approve

We re-animate the mouth to the new words and return a cut-to-cut master, human-reviewed, ready for QC.

Bring us a line

Send the scene and the new words.

One scene, the corrected line, and the voice you want it in. We’ll send it back with the mouth matching, so you can judge it on your own footage.

Frame-accurate  •  Broadcast QC’d  •  12 shipped, 90+ supported

Pick a time

Thirty minutes.
Your film, your questions.

Pick a time that suits you and we will walk you through the work live: how a sync is made, what a full release looks like, and what it costs. No deck, no hard sell.

A call with the team that does the work

30 minutes, at your time

Prefer email first? The briefing form is right below

Contact

Let's talk.

A direct line to the team behind the work. Tell us about your film and the languages you want it in, and we'll reply within 24 hours with concrete next steps. You can also try Lipsmatch on one scene of your own footage first.

Response Within 24 hours, direct from the team

Available  •  Remote-first, worldwide

Briefing

Send us a short briefing.