Lipsmatch · Films & TV Shows
One release. Every territory.
You’ve seen these films.
Now hear them travel.
Four scenes many people know by heart, each carried into a new language through Lipsmatch. The performance stays, the language changes, and the mouth matches every word. These are demonstrations of the technology on films everyone recognises.
Your audience shouldn’t have to read your film
Subtitles ask the audience to look away from the frame you built. A traditional dub asks them to ignore the mouth. Lipsmatch asks nothing: the film plays as if it was shot in their language, at feature length, episode after episode.
For a theatrical release, that means every market watches the star’s own performance. For a series, it means consistent sync across a whole season: dialogue, interviews and narration alike. For documentaries, real people keep their real faces while their words travel. And on the approvals you already hold, their own voice can be recreated so they speak every language themselves. The take is sacred; we move nothing but the mouth.
Built for the long form
Ads are fifteen seconds under a microscope. Long-form is hours under a marathon. The pipeline is built for both.
Big-screen close-ups get frame-by-frame human finishing, because a cinema audience sits closer than anyone
Episode after episode with consistent sync, so binge viewers never catch a weak reel
Interviews and narration carried into new languages while every face stays exactly who they are
A channel in every language with the same face and the same energy, so watch time survives translation
Their voice is recreated so they speak every language themselves, on the approvals you already hold
Masters delivered to broadcast and OTT specs, cut-to-cut with your original, QC’d before you see them
How a release goes wide
The workflow scales from one commercial to a full feature without changing shape.
From locked cut to every territory
Lock the cut, pick the territories
We work from your finished master and your release plan. Dubs come from your partners or from us, performed to your edit.
Every speaking face, re-animated
Leads, supporting cast, interviews, crowds with lines: each speaking face is tracked and rebuilt to the new track, scene by scene.
Screen it before it ships
You review finished reels the way you review any post pass. Masters deliver per territory, cut-to-cut, QC’d.
Goes further with
The long form is one road. The same technology runs every solution on this site.
Send one scene from your film.
Pick the scene you’d judge hardest and the language you want it in. We’ll send it back speaking that language, so the first thing you see is your own footage.