One film. Every language.

So natural, you forget it was ever in another language

earned across campaigns that aired through Lipsmatch for India’s most-loved brands

Technology demo · not client work

Ten titles. Sixteen languages. The same face throughout.

Scenes you can already hear in your head, run through Lipsmatch to show what it does. Every tile keeps flipping to another language; tap one to take it to the next.

10 Titles 16 Languages 40 Versions

These are our own technology demonstrations. We cut them on films you already know so you can watch lipsmatch against a performance you remember. See every version, with sound

You’re watching one film. It plays in full, then replays in the next language, lips matching every word. Tap the film for sound; tap a language to watch it in that one.

A story is only as big as the languages it speaks

The film you finished already works. The only thing standing between it and a few hundred million more viewers is the language on your actors’ lips. Lipsmatch removes exactly that, and touches nothing else.

Dubbing solved the sound almost a century ago; the picture never caught up. The voice changed, the lips didn’t, and every audience could tell. Lipsmatch is the missing half of dubbing: give us your master and a dub in any language, and we re-animate every speaking mouth to that language, frame-accurate, identity intact, ready for broadcast. Your blocking, your light, your cut, your actor’s take, all of it survives. The film simply starts speaking to people it couldn’t reach before.

The take is sacred. We move nothing but the mouth.

Every discipline on a film has something it will not let anyone touch. Here is our promise to each of them.

To the director
The performance you approved

The smirk, the pause, the comic timing you fought for in take nine, all of it carries through. We sync the mouth; we never re-act the scene

To the cinematographer
The frame stays yours

Your light, your grade, your grain, your movement, untouched. Only the mouth region is rebuilt, and it is judged frame by frame against your original

To the editor
Cut-to-cut, to the frame

Every language ships as a cut-to-cut master against your original. No re-conform, no drift, nothing moves on the timeline

To the talent
Identity intact, rights covered

Teeth, beard, skin texture, the face stays unmistakably theirs. Voice recreation runs on the approvals you already hold, so they can speak every language themselves

To the producer
Zero reshoots, zero star dates

One approved master is all we need. Adding a language takes days of post instead of another shoot on the calendar

To the audience
Dubbing they can watch

No mismatched mouth, no eyes dropping to subtitles. The film plays as if it was shot in their mother tongue, because on screen, it was

Already on air

Every number below comes from campaigns and films that actually aired, through the same technology driving every demo on this site.

12 Languages from one shoot Hindi to Odia, each with matching lips
75+ Broadcast masters delivered QC’d and aired on national networks
500M+ Views across campaigns National brands, prime-time placements
0 Reshoots required The original master is all we need

Your toughest scenes, handled.

Real films are harder: objects blocking the mouth, several actors in one frame, changing camera angles, low light, a moving camera, fast dialogue, and films watched in 4K. Eighteen finished outputs below, mixing campaigns we delivered with technology demos cut on films you already know. The ones marked demo are our own, not client work.

objects blocking the face
multiple faces
multiple camera angles
low light
fast camera moves
rapid dialogue
celebrity close-ups
4K & broadcast masters
demo overlapping dialogue
demo muttered, low register
demo half-lit close-ups
demo beards & moustaches
demo faces small in a wide
demo whispered delivery
demo non-Latin masters
demo heavy film grain
demo long emotional takes
demo shouted at full volume

It works like a post house, because it is one

No new workflow to learn, no pipeline to change. You hand off a master the way you already hand off to sound or grade, and you approve what comes back.

How a film becomes twelve

01

Send the master

One approved film is all we need. Bring your own dubs, or we produce them with the star’s own voice recreated by our technology, running on the approvals you already hold.

02

Lipsmatch re-animates

Every speaking face is tracked and its mouth rebuilt to the new track, frame by frame, language by language, while the rest of your frame stays untouched.

03

You approve, it airs

Human eyes review every close-up before you see it. You receive broadcast-ready masters per language, cut-to-cut with your original, and nothing ships without your sign-off.

Every market, in its mother tongue

Twelve languages have already shipped through Lipsmatch on national releases, and we support 90+ languages and accents: if you can record the dub, we can put it on the lips. English, Spanish, Arabic, French, Mandarin and more, 90+ languages and accents worldwide.

हिन्दीHindi EnglishEnglish EspañolSpanish தமிழ்Tamil العربيةArabic తెలుగుTelugu FrançaisFrench ಕನ್ನಡKannada 中文Mandarin বাংলাBengali PortuguêsPortuguese മലയാളംMalayalam 日本語Japanese मराठीMarathi +Yours next
Bring us a scene

Send us a scene. We’ll send it back speaking another language.

No pitch deck, no commitment. Share one scene from your film and the language you want it in, and see the result for yourself.

Frame-accurate  •  Broadcast QC’d  •  12 shipped, 90+ supported

Lipsmatch questions

What is Lipsmatch?

Lipsmatch is a proprietary technology for film, built by Insanely Elegant. Give it one master film and a dubbed audio track in any language, and it re-animates every speaking mouth in the frame to that language, frame-accurate and broadcast-ready. The performance, the faces and the edit stay exactly as shot; only the language changes.

How is Lipsmatch different from a normal dub?

In a traditional dub the voice changes but the lips keep speaking the original language, and every viewer feels the mismatch. Lipsmatch rebuilds the mouth movements to match the new track syllable by syllable, so the film looks like it was originally shot in each language.

What languages does Lipsmatch support?

Twelve languages have already shipped on national campaigns, out of the 90+ languages and accents we support: Hindi, English, Tamil, Telugu, Kannada, Malayalam, Bengali, Marathi, Punjabi, Gujarati, Assamese and Odia. The engine supports 90+ languages and accents: if you can record the dub, we can put it on the lips.

Does it work on celebrity films and close-ups?

Yes, that is where it earns its keep. Identity details such as teeth, beard and skin texture are preserved, and celebrity work receives frame-by-frame human finishing before delivery, so a face the whole country knows still looks exactly like themselves in every language.

Can it handle difficult footage, fast cuts, multiple people, outdoor light?

Yes. The campaigns on this site include rapid comedy dialogue cut on the beat, two performers trading lines in one shot, and a spoon crossing an actor’s mouth mid-line. Lipsmatch tracks each speaking face individually through angle changes, moving cameras and changing light, and leaves the rest of the frame untouched.

Is the output really broadcast-quality?

Yes. Deliverables ship as full-resolution, cut-to-cut broadcast masters that pass network QC, the same pipeline behind 75+ masters delivered for national brands. Every close-up is reviewed by human eyes before anything leaves the studio.

Do you also produce the dubbed voices?

We can. Bring your own dubs, or we produce them for you: our technology recreates your star’s own voice so they speak every language themselves, and translation is supervised throughout. Voice work runs on the approvals the production already holds. Write to [email protected] to try Lipsmatch on one scene of your film.

What is the technology behind Lipsmatch?

Under the hood, Lipsmatch runs on machine-learning models refined across national broadcast campaigns, wrapped in a post-production pipeline with frame-by-frame human finishing. Voice and likeness work runs on the approvals the production already holds.

Pick a time

Thirty minutes.
Your film, your questions.

Pick a time that suits you and we will walk you through the work live: how a lipsmatch film is made, what a full release looks like, and what it costs. No deck, no hard sell.

A call with the team that does the work

30 minutes, at your time

Prefer email first? The briefing form is right below

Contact

Let's talk.

A direct line to the team behind the work. Tell us about your film and the languages you want it in, and we'll reply within 24 hours with concrete next steps. You can also try Lipsmatch on one scene of your own footage first.

Response Within 24 hours, direct from the team

Available  •  Remote-first, worldwide

Briefing

Send us a short briefing.